Modern Literal Taiwanese (MLT)
Contents
4.3.1 Special vowel in high tone
4.3.2 Special vowel in shouting-out tone
6.1 Tone change in articulation of a sentence
6.2 Tone change in accentuation of a word
Table:
MTL Table I Consonant Example (including audio files)
.........................................................7
Table:
MTL Table II Special Vowel Examples
................................................. 9
Table:
MTL Table III Vowel Examples
............................................................ 10
Table: MTL Table IV Seven-tone Examples .......................................................... 14
Language is
the foundation of all human communication, without which no civilization is
possible; therefore, all historical records of human activities cannot but rely
on the use of language, be it in spoken or written form. As one of the many
valuable languages on earth, spoken Taiwanese, which is still used by the
majority on the island of Taiwan, is deemed as a fortunate cultural relic from
the Formosan ancestors. Just as many spoken tongues in Asia, spoken Taiwanese
is typically a tone language that is not only rich in vowel sounds, but also
has a set of seven tones accompanied with particular tonal variations (i.e.
Tone Sandhi). Of interest is the fact that a vowel sound, which is produced
without friction or stoppage, can carry musical pitch far better than
consonants; furthermore, the niceties of tonal variations in spoken Taiwanese
are such as to increase the euphony of the sentences. In brief, spoken
Taiwanese is an interesting and beautiful sounding language in its own right,
as if it were a gift from Heaven.
As human
activity is forever changing, so language changes with it. To ensure the survival of any spoken tongues
a good written language must be created in time. Currently many Asian languages,
such as Chinese and Japanese, use Harnji (a written character or an
ideogram) as the basic unit for writing sentences. Each written character
represents an object, an idea, an action, or a relationship, but these
characters give no indication of proper sound quality. Aside from the difficulty in writing and
learning so many relatively complicated ideographs, there are three other major
problems confronting the usage of Harnji as the basic unit of written
Taiwanese. First, there are many homonyms, that is, characters that sound
identical but have different meanings; second, there are many homographs,
characters that are written alike but that differ in meaning and pronunciation;
third, spoken Taiwanese imbued with a deep affection cannot adequately be expressed
by the recourse to ideograms. To remedy
these difficulties, Church Romanized Phoneticism (CRP) first emerged as early
as 1832 and later was progressively improved through the work of such respected
scholars as Talmage, Doty, Douglas, Campbell, and Barclay.
The
development of CRP was indeed a great contribution to the Taiwanese people in
the areas of religious belief, culture, as well as language; however, CRP has
some limitations. First, it appears that CRP is merely a phonetic system of
alphabetic writing. As is well known, written language is an expression of
thought rather than a recording of sound. Yet, CRP uses a set of subsidiary
phonetic symbols, such as accent marks, macrons, dots, and circumflexes, over
vowels to indicate a modified pronunciation of the script in question. It also
uses many hyphens to connect syllables in the words, and for that matter, the
entire article thus written looks fragmentary at best.
In view of the shortcomings as described above, and
the cumbersomeness of processing Romanized scripts or Harnji with modern
technology, Prof. Liim Keahioong,
formerly of the Cheng-Kung University in Taiwan, pioneered the Taiwanese Modern
Spelling System (TMSS) in the year 1943.
Since then TMSS has become the foremost building block for written
Taiwanese, which will be designated as Modern Taiwanese Language (MTL).
By adopting the English alphabet and making use of
no subsidiary scripts or symbols in MTL, each word is cleanly constructed by attaching
a tone indicator to a basic sound to signify its proper variation of pitch; in
this regard, it integrates its pronunciation with the spelling into a new
definite, meaningful word. The cleanliness and tidiness of an essay as created
by such words is quite impressive. By
and large, MTL is an internationally compatible written language, as it
possesses the striking features of simplicity and integrity. Last but not least, it lends itself very
well to computer applications and Internet technology. The emergence of MTL
stands out so particularly among many ideographic or phonetic systems of
writing in that it unfolds as a refreshing breakthrough of the traditional
Asian languages. Indeed, MTL has thus far proved to be an excellent written
form for the Taiwanese language. It is worthy of promotion and even further
development. We hope that those of you just embarking on its study now will
bring it to greater heights of development in the future.
Modern Literal Taiwanese
Foundation (MLTF)
MTL
alphabet adopts the English alphabet that has 26 letters.
A
MTL word, like each English word, can be formed by only one syllable or several
syllables, with the two syllables being the most typical. Each syllable in MTL follows either one of
the two underlying patterns:
1. [Consonant] + [front nasal-sound] + vowel + [tone
indicator]
2. [Consonant] + vowel + [tone indicator] + [rear
nasal-sound]
A
vowel has important features: not only is it an indispensable phoneme in a
syllable, but also it can stand by itself as a syllable. It is worthy of note
that there can exist no two nasal-vowels simultaneously in a syllable. Here, phoneme is defined as unit of the
system of sounds of a language. Note: Those phonemes inside the bracket [] are
optional.
A
nasal-sound is a sound produced by letting the air pass through the nose. There are two nasal-sounds: front
nasal-sound and rear nasal-sound. Refer
to section 4.4 and 4.5 for details.
A
tone indicator is devised for the indicating of tonal pitch variation in a
syllable. There are various tone
indicators, which are represented by some symbolic letters, (such as f, r,
x, etc.), each of which is right after the vowel. Refer to section 5,
and 6 for details.
Examples:
·
sviu (think) -
pattern1
”s”is a consonant. “v” is a front nasal-sound, and "iu"
is a compound vowel.
·
goarn (us) -
pattern 2
”g” is a consonant. “oa” is a compound vowel. “r” is a
tone-indicator. “n” is an ending nasal-sound.
The
spelling of a multi-syllable word in MTL can sometimes have two totally
different meanings by pronouncing the word in two different sets of syllables;
therefore, to make such a spelling to possess two distinctive meanings (and
thus creating two different words), an apostrophe is added to demarcate the
proper pronunciation. There is no need
for an apostrophe in the spelling, if the word can be naturally pronounced
without ambiguity.
Examples:
ok'ix (bad intention), okix (black
mole).
A
hyphen is used to join two, or more isolated words to make a new compound word
with its own meaning.
Examples:
Taioaan-laang (Taiwanese); Bykog-kongbiin(American citizen).
When
a word contains a back-quote, all the syllables behind the back-quote are
accented in a weaker tone -- either a low-falling tone or a low stop. Refer to
section 6.2 for more details.
Example:
au`jit (the day after tomorrow) vs. auxjit (some other day).
There
are 18 consonants.
|
Bilabial |
p |
ph |
m |
b |
|
Alveolar |
t |
th |
n |
l |
|
Velar |
k |
kh |
h |
g |
|
Palatal |
c |
ch |
s |
j |
|
Dental |
z |
zh |
s |
j |
Table I: MTL
Consonant Examples
|
|
MTL |
Example |
English |
|
p |
papaf |
father |
|
|
ph |
phaq |
hit |
|
|
m |
mi |
noodle |
|
|
b |
baq |
meat |
|
|
t |
tit |
straight |
|
|
th |
theh |
take |
|
|
n |
nii |
year |
|
|
l |
laang |
person |
|
|
k |
kaf |
add |
|
|
kh |
khix |
go |
|
|
h |
hii |
fish |
|
|
g |
go |
five |
|
|
c |
ciaf |
here |
|
|
ch |
chiaf |
vehicle |
|
|
s |
si |
yes |
|
|
j |
jit |
day |
|
|
z |
zef |
this |
|
|
zh |
zhaix |
vegetable |
|
|
s |
svaf |
clothes |
|
|
j |
joah |
hot |
Note: More examples with audio are available by clicking on each consotant category.
There are simple,
compound, special, front-nasal, and rear-nasal vowels in MTL.
The
simple vowels in MTL are a, i, u, e, o, Q, m, ng,
among which the vowel Q (an
upper case “Q” ) is unique in its pronunciation – it has the similar vowel
sound as in the English word 'girl'. The vowel Q was originally represented by a letter o super-imposed by a
backslash, but which does not exist on an ordinary computer keyboard yet. Later, a number '0' (zero) was once used to
represent this vowel; however, the number zero is a digit and does not
facilitate the computer processing of the spelling checks. To remedy this difficulty, the MLTF (Modern
Literal Taiwanese Language Foundation) has temporarily adopted Q in
the MTL system. Both m and ng are nasal-vowels.
Examples:
ka (bite); ti
(chopstick); u (have/has); ke (low); lo (road); tQar (knife); png (rice); m
(no).
A
compound vowel in MTL is formed from joining two or three simple vowels. There are eleven of such vowels: ai, au,
ia, iu, iQ, iau, ui, oa, oe, Qe, and
oai. The vowel Qe can
be pronounced as either oe or e, depending on regional dialects.
As a result, “miphQe” (comforter) can be pronounced as “miphoe” or
“miphe”.
Examples: lai (sharp); nau (noisy);
ia (spread)
A
special vowel possesses two functions: it is a vowel and has a characteristic
tone as well. There are two groups of
special vowels: special vowels in high tone and shouting-out tone respectively.
·
“y” is the high tone of “i”. Examples ty (pig),
and kym (gold).
·
“w” is the high
tone of “u” Examples: kw
(turtle), and zw(book)
Refer to section 5.1.2 for details.
There are five special
vowels in shouting-out tone: ae, ie, uo, ea, ao
Table II Special Vowel Examples
|
Special vowels in shouting-out tone |
|||
|
Basic tone |
Shouting-out tone |
Example |
English |
|
ai |
ae |
hae |
sea |
|
i |
ie |
lie |
you |
|
u |
uo |
kuo |
a while |
|
e |
ea |
bea |
horse |
|
au |
ao |
kao |
dog |
Refer to
section 5.1.4 for details.
The letter v,
that substitutes the originally devised Greek letter v for convenience
in computer processing, represents a front nasal-sound. It is always followed
by a vowel to form a front nasal-vowel.
Examples:
va (filling); hvi (ear); pvi (disease); phvi (nose)
There are three rear
nasal-sounds (m, n, ng). Each of
them is always preceded by a vowel to form a rear nasal-vowel. The rear
nasal-sounds are always at the end of a syllable.
·
m: bilabial - a sound produced by bringing the lips
together. It has three ending forms: am, im, and iam.
Examples: lam (mix);
imgak(music); liam (nagging)
·
n - a sound produced by positioning the tip of the
tongue at or near the upper teethridge. It has 5 ending forms: an, in, un,
ien, oan.
Examples: an'uix (to
comfort); kin (near); unto (temperature); tien (electric); Taioaan
(Taiwan)
·
ng - sounds produced by raising the tongue rather
high without touching the teethridge. It has 5 ending forms: ang, eng, ong,
iang, iong.
Examples: angtau(red
bean); enghioong(hero); onglaai(pineapple); liang (bright); iong (use);
Table III: MTL Vowels
Examples
|
|
MTL |
Example |
English |
|
Simple |
a |
ka |
bite |
|
i |
hvi |
ear |
|
|
u |
u |
have/has |
|
|
e |
ke |
low |
|
|
o |
lo |
road |
|
|
Q |
hQr |
good |
|
|
m |
m |
no |
|
|
ng |
hng |
far |
|
|
Compound |
ai |
lai |
sharp |
|
au |
au |
back |
|
|
ia |
ia |
spread |
|
|
iu |
chviu |
elephant |
|
|
iQ |
kiQo |
bridge |
|
|
iau |
tiau |
tone |
|
|
ui |
ui |
stomach |
|
|
oa |
toa |
big |
|
|
oe |
hoe |
meeting |
|
|
Qe |
Qe |
able |
|
|
oai |
koaix |
weird |
|
|
Special high
tone |
y |
kym |
gold |
|
w |
titw |
spider |
|
|
Special
shouting-out tone |
ae |
hae |
sea |
|
ie |
lie |
you |
|
|
uo |
Taiguo |
Taiwanese language |
|
|
ea |
bea |
horse |
|
|
ao |
kao |
dog |
|
|
MTL |
Example |
English |
|
|
Front
nasal-vowel |
va |
va |
filling |
|
|
vi |
hvi |
ear |
||
|
ve |
gve |
stiff |
||
|
vo |
kiaugvo |
proud |
||
|
vai |
vai |
to cary on the back |
||
|
vau |
liengvau |
the lotus root |
||
|
via |
thviaf |
listen |
||
|
viu |
sviu |
think |
||
|
viau |
nviau'ar |
cat |
||
|
voa |
voa |
exchange |
||
|
voai |
kvoaimng |
close door |
||
|
vy |
tvy |
sweet |
||
|
voay |
kvoay |
close |
||
|
vuy |
kvuy |
close |
||
|
viw |
kviw |
ginger |
||
|
viaw |
gviaw |
tickle |
||
|
vae |
zvae |
finger |
||
|
vie |
pvie |
flat |
||
|
viuo |
hauxtivuo |
principal |
||
|
vea |
kvea |
choke |
||
|
Rear nasal-vowel |
am |
lam |
mix |
|
|
im |
akim |
aunt |
||
|
iam |
liam |
nagging |
||
|
an |
ban |
slow |
||
|
in |
kin |
near |
||
|
un |
tun |
dull |
||
|
ien |
lien |
practice |
||
|
oan |
goan |
wish |
||
|
ang |
bang |
dream |
||
|
eng |
teng |
hard |
||
|
ong |
gong |
dumb |
||
|
iang |
liang |
bright |
||
|
iong |
iong |
use |
||
·
Taiwanese is a tone
language. The assignment of different
tones to a sound creates different words.
Examples: sy (poetry); si (yes); six
(four); sie (dead); sii (time)
kaw (ditch), kau (thick); kaux (arrive); kao (dog);
kaau (monkey)
·
According to the
pitch, length, and strength of a vowel sound, there are seven tones in
Taiwanese: five of them are long tones and the other two are short tones.
·
Long tones are basic
tone, high tone, and low-falling tone, shouting-out tone, and curving tone.
·
Short tones are high
stop, and low stop.
A basic tone is a mid level
tone. Not only it is the base of
intonation in MTL, but also a monotonous tone by itself, which is neither too
high nor too low, and it does not contain a tone indicator.
Examples: kaki (self), kihoe (opportunity), thotau (peanuts).
A high tone is derived from
raising a basic tone, and is represented by adding a tone indicator "f"
after a vowel, except “i” and “u”, in a syllable. The
high tone of "i" and "u" are "y"
and "w" respectively. Note that the tone indicator "f" is
voiceless.
Examples: mamaf (mother);
katQf (scissors); khykhQf (dentist); titw (spider);
haypvy (seashore).
A
low-falling tone is derived from lowering a basic tone, and is represented by
adding a tone indicator "x" after a vowel. Note that the tone indicator "x" is voiceless.
Examples: pax (leopard); zhaix
(vegetable)
A shouting-out tone is derived from shouting out a
basic tone, and is represented by adding a tone indicator "r" after a
vowel, except “ai”, “i”, “u”, “e”, and “au”, in a syllable.
Examples: zar (early); bor (wife);
seakie (century); siukae(correct);
thiaobuo (dancing).
Refer to section 4.3.2 for details.
A curving tone is
derived from first lowering the basic tone and then slightly raising and
prolonging simultaneously of a vowel. The rules are:
·
Simple vowel: simply
repeat the vowel.
·
Compound vowel:
repeat the last vowel letter except when it contains an “a”,
then repeats “a”.
Examples:
hii (fish); hee (shrimp); anzoaan (safety)
A short tone is derived from the act of stopping
the outgoing breath. There are two
groups of short tone: high stops and low stops.
·
High stop -- abruptly
stopping at the high-pitch with tone indicators: h, p, t, and k.
·
Low stop -- abruptly
stopping at the low-pitch with tone indicators: q, b, d, and g.
Both high and low stop can
further be divided into the following four categories:
An mouth
open stop is derived from giving out a puff of breath with the mouth remaining
open and is represented by adding a tone indicator "h" or “q”
after a vowel, where “h” is a high stop, and “q” is a low stop.
Examples: ciah (eat); phaq (hit)
Exceptions: If the vowl "m" followed by
these two stops, the mouth remains closed.
Examples: hmq (hit); hmhlaang (hit someone)
A bilabial stop is derived from stopping the air
stream between the lips, and is represented by adding a tone indicator "p"
or “b” after a vowel, where “p” is a high stop, and “b” is
a low stop.
Examples: hap (close); ciab (catch)
An alveolar stop is made with the tip of the tongue
touching against the gum behind the upper front teeth, and is represented by
adding a tone indicator "t" or “d” after a vowel, where
“t” is a high stop, and “d” is a low stop.
Examples: kut (slippery); kud
(bone)
A velar stop is made with the back of the tongue
near the soft palate, and is represented by adding a tone indicator "k"
or “g” after a vowel, where “k” is a high stop, and “g” is
a low stop.
Examples: lok (deer); kog
(country)
Table IV MTL
Seven-tone Examples
|
High |
Basic |
Low-Falling |
Shouting-out |
Curving |
High
stop |
Short stop |
|
say (lion) |
chviu (elephant) |
pax (leopard) |
hor (tiger) |
hiim (bear) |
lok (deer) |
piq (snapping turtle) |
The
tones of syllables in MTL when spoken in succession are different from those of
the same syllables when spoken in isolation.
This kind of tone change is called tone sandhi, which is an important
feature in spoken Taiwanese. Rules of
tone changes are applied to the following two different categories:
·
Articulation of a
sentence
·
Accentuation of a
word
For a beginner in learning
Taiwanese, this category of tone change is the most important concept to grasp,
because a sentence is not pronounced as what is written. In conversation, there
are natural fluctuations in pitch to make the speech
stream easier for the human mind to process. Subsequently, each word may
be subject to a tone change in spoken Taiwanese except when there is a
pause in speech; however, there are exceptions, namely, the words ciaf(here),
hiaf (there), zef(this), and hef(that)
are always pronounced as written.
The following example will demonstrate where the tone changes take
effect in a series of sentences proceeding step by step: (Note: the words in
bold require tone changes. The pronunciation is denoted in brackets.)
Goar [goar]
goar ee [goaf ee]
goar ee siQfti [goaf e siQfti]
Goar kab goar
ee siQfti [Goar,
kap goaf e siQfti]
khix [khix]
khix [khie]
khvoax tiexnviar [khvoar tiexnviar]
khix khvoax tiexnviar [khie khvoar tiexnviar]
Goar kab goar
ee siQfti khix khvoax tiexnviar. [Goar, kap goaf e siQfti khie khvoar
tiexnviar]
(I and my younger
brother went to watch movie.)
In
the above example, each word in standard, wherein there is a short pause,
is pronounced without a tone change; those words in boldface (kab, goar,
ee, khix and khvoax) undergo tone changes in
conversation.
·
kab is pronounced as [kap]
·
the second goar
is pronounced as [goaf]
·
ee is pronounced [e]
·
khix is pronounced [khie]
The
rules of tone changes are explained in the following two sections:
There is a unique
logical sequence behind long tone changes. The first four tone changes forms
the unique “tone circle", the one and only phenomenon in human language
history. The following diagram illustrates this sequence:


As shown in
the above diagram, the rule of tone changes follows the arrow schematically:
·
A high tone will
change to a basic tone when tone change is required.
·
A basic tone will
change to a low-falling tone when tone change is required.
·
A low-falling tone
will change to a shouting-out tone when tone change is required.
·
A shouting-out tone
will change to a high tone when tone change is required.
·
A curving tone will
change to a basic tone when tone change is required.
Examples:
·
goar is a word
of shouting-out tone. It changes to high tone [goaf] when there is no short pause during
the conversation.
·
ee is a word
of curving tone. It changes to basic tone [e] when there is no short
pause during the conversation.
·
khix is a word
of low-falling tone. It changes to shouting-out tone [khie] when there
is no short pause during the conversation.
The
rule of short tone changes is illustrated in the following diagram:


As shown in
the above diagram, the high short tone and low short are swapped when tone
change is required.
Example:
kab is a word of low stop tone. It is pronounced in a high stop tone [kap] when there is no short pause during
the conversation.
When
a word contains a back-quote, all the syllables behind the back-quote are
accented in a weaker tone -- either a low-falling tone or a low stop.
Examples:
·
Khia`khylaai (stand up): The syllables behind back-quote
“khy” and “laai” are both pronounced in low-falling
tone. “Khia” is pronounced as
written.
·
Kviaa`zhutkhix (walk away): The syllables behind back-quote
zhut
and khix are pronounced in low stop, and low-falling tone
respectively. Kviaa is pronounced as
written.